Harold Pinter’s America: Hard truths and easy targets

by JOHN ESKOW

British playwright Harold Pinter (1930-2008) in a 1973 phot. Pinter won the Nobel Prize for Literature in 2005. PHOTO/AP/The Star

If you’ve never read or seen Harold Pinter’s Nobel Prize acceptance speech, it’s amazing—a 46-minute aria of thunderous power—but I’m not sure I’d recommend it. Pinter’s plays, when well-acted, braid together moments of existential terror and electric comedy, but his Nobel speech is not a bundle of laughs. It begins with an intriguing but much too long rumination on his creative process, but just when you think he’s going to call it a wrap, he suddenly pivots from the inward to the outward and begins a furious condemnation of the United States government that kicks so hard and hurts so deeply that it makes you ashamed not to be an outright leftist revolutionary. He forces us to look at what the great William Burroughs called the “naked lunch”—calmly but viciously indicting us for our crimes in South America and all around the world. And though he delivered the speech in 2005, it could run as an op-ed piece today, with only a few minor details changed.

Watching the speech is exponentially scarier than reading it. Pinter couldn’t travel to Stockholm to accept the prize in person because he was hospitalized with some God-awful kind of cancer, so he sent a video which shows him sitting in a chair with a blanket on his knees, obviously ill, but methodically building his indictment as he stares at the camera, as if daring you to look away. And you want to look away. You don’t want to be a silent partner in all the murders we commit, all the rapes we encourage, all the torture we teach and practice, all the money we steal, all the air and water and creatures we poison, all the stupidity manufactured by our media, all the—well, you get the picture. To wit: “the United States has supported and in many cases engendered every right wing military dictatorship in the world after the end of the Second World War, leading to hundreds of thousands of deaths,” Pinter asks: “Did they take place? And are they in all cases attributable to US foreign policy?” Then he answers his own question: “The answer is yes, they did take place, and they are attributable to American foreign policy. But you wouldn’t know it.”

Pinter, ever the changeling, suddenly becomes a character in one of his plays, slipping into the mesmerizing speech-rhythms that make his work so seductive as he describes America’s vision of history: “It never happened. Nothing ever happened. Even while it was happening it wasn’t happening. It didn’t matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It’s a brilliant, even witty, highly successful act of hypnosis.”

Take a bow, Barack Obama.

“I put to you that the United States is without doubt the greatest show on the road. Brutal, indifferent, scornful and ruthless it may be but it is also very clever. As a salesman it is out on its own and its most saleable commodity is self-love. It’s a winner. Listen to all American presidents on television say the words, ‘the American people’, as in the sentence, ‘I say to the American people it is time to pray and to defend the rights of the American people and I ask the American people to trust their president in the action he is about to take on behalf of the American people.

Pinter, the genius of ludicrous menace, dreamed President Donald Trump into existence thirteen years ago! Donald fucking Trump, not only a criminal but a sloppy and incompetent criminal, a “total loser” in any meaningful sense—since the real game is compassion, generosity of spirit, and creativity, and people like Donald Trump don’t even know where the game is being played.

Perhaps we all joined together with Pinter and co-wrote Trump into the White House. Perhaps we needed to see the naked lunch up close, writhing on the tines of our fork.

And here’s what’s on the menu: two political parties engaged in idiotic bickering on TV, a bloated moron president who walks around with toilet paper stuck to his shoe—a clearly unhealthy slob who shows clear signs of dementia and who wasn’t that bright to begin with, a waddling nitwit who not only fails to cover up his petty crimes but is so dumb that he scatters clues wherever he goes.

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