Gender essences

by CHARLOTTE WITT

There may be no watertight definition of ‘man’ or ‘woman’, but your gender still defines you more than anything else does

few years ago a blog called The Philosophy Smokerhosted a discussion of women’s dress. The blog’s motto (‘In which issues concerning the profession of philosophy are bitched griped about’) and its title, which refers to a type of beer-fuelled convention reception, now smoke-free but still mandatory for job candidates, give a context for the sartorial conversation. A consensus emerged: a woman philosopher’s professional attire should include make-up, discreet jewellery and low heels, but no ‘hooker’ boots, tight sweaters or plunging necklines.

In nearly 100 comments, one can read in some detail how a woman ought to present herself as an aspiring philosopher. A few participants in the discussion were, admittedly, clothing anarchists, advocating for leather attire and miniskirts. Most, however, understood very clearly that it didn’t matter what the individual woman thought about clothing, or even whether she thought about it at all. In so far as she was a woman and a philosophy job candidate, certain norms applied to her simply by virtue of her social positions.

Here, by contrast, is what the philosopher Jonathan Wolff recently had to say in The Guardian on the subject of appropriate academic attire: ‘You go to your wardrobe and randomly pull out a garment called a “pair of trousers”, another called “a shirt”, another called “a jacket”, and another called “a tie”. Then you put them on. Then you look in the mirror to make sure that you have put each in roughly the right place. The end.’ To be fair, Wolff notes in the article that dress standards might differ for women academics, but the amusing point of the article – that academics don’t worry about dress because they are happy in their work – hinges on the opening image of the (male) academic’s lack of concern with his attire. The current online diversity campaign ‘This is what a philosopher looks like’ makes its point by featuring pictures of philosophers who don’t look like philosophers, ie people of colour, and women.

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