By: Aunohita Mojumdar
After decades of upheaval, Afghanistan today finds itself unable to remember its cultural past.
Bollywood songs blare from taxis and street corners. In wedding halls, guests sit glued to the next episode of “Kyunki saas bhi kabhi bahu thi” dubbed into Dari, the main language in Afghanistan. In shops selling pirated CDs and DVDs in Kabul’s busy Flower Street, young Afghans walk in to ask for the latest Hollywood action movie, the music of a hot new Tajik singer or the most recent Iranian soap opera. The removal of the Taliban has been celebrated as the end of cultural censorship in Afghanistan, and the easy availability of imported pop culture touted as evidence of new freedoms. But the tragedy of the years of conflict in Afghanistan runs much deeper. What remains after years of violence and fighting, displacement and censorship, is a void. Built over years of absence of art and culture, what echoes today is the lack of an audience where once existed a deep appreciation of arts and music. This is an emptiness – as opposed to a simple tug of war between cultural freedoms and censorship, which could be resolved by lifting the arbitrary restrictions of the Taliban regime. It is also a void that is being filled too quickly and indiscriminately with whatever is at hand.
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