Indo-Asian News Service
The work of India’s greatest filmmaker and one of cinema’s greatest auteurs, Satyajit Ray, will be showcased in a special series by the prestigious Film Society of Lincoln Centre in New York April 15-30.
Featuring over 20 films, with six in new 35 mm prints from the Academy Film Archive, “First Light: Satyajit Ray from the Apu Trilogy to the Calcutta Trilogy” concentrates on what is roughly the first half of Ray’s career, when he broke out internationally as an important new voice in world cinema.
“A Ray film invites you in, but also demands that you accept it on its own terms,” says Richard Pena, the Film Society’s director of programming. “And those who open themselves to Ray’s method are in for some of the richest experiences the cinema has to offer.”
The recent spike of interest in India – from its propitious emergence as a major economic power to the worldwide success of “Slumdog Millionaire” – makes this an especially apt moment to witness and celebrate Ray’s accomplishments, said the society.
Ray won the Honorary Oscar for lifetime achievement at the 1991 Academy Awards, “for his rare mastery of the art of motion pictures and for his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world”.
“First Light” opens April 15 with the film that put him on the cinematic map, “Pather Panchali” (1955), which Pauline Kael wrote was “beautiful, sometimes funny, and full of love”.
With a brilliant soundtrack by Ravi Shankar, to which Wes Anderson paid tribute by using it in “The Darjeeling Limited” along with music from many other Ray films, “Pather Panchali” (Song of the Road) is the first part of the “Apu Trilogy” following a boy’s adventures in a remote Bengal village.