by SHAHRAM KHOSRAVI

My father, a son of the Bakhtiari—the Indigenous people of the Zagros Mountains in Iran—could sense it long before it arrived: defeat. Or perhaps it never arrived at all, because it had always been there, woven into the soil and the air. Like his ancestors, he watched as their land, and the future promised by it, were stripped away. It was the Bakhtiaris’ misfortune that French and British expeditions, wandering through their mountains in the late nineteenth century, found oil shimmering beneath their feet.
William Knox D’Arcy, backed by the British government, started to drill in the lands of Bakhtiari nomads, and in 1908, reached oil in the western part of the Bakhtiari region. The Bakhtiari had for a long time been regarded as a “savage race,” not only by Europeans but also by the Iranian rulers. A savage race is a waste race, and their habitat a wasteland. The Anglo-Persian Oil Company confiscated these lands, and displaced many people, as well as animals. Poor farmers and pastoralists were turned into low?wage laborers. Pipelines were installed on their land to carry the black gold to metropoles. Oil extracted from Bakhtiari lands financed the modernization of Tehran and the consolidation of the newborn nation-state, while the Bakhtiaris themselves received none of the resulting benefits. The old pipelines were left in place after they fell into disuse, debris that discloses the link between colonial rule and the region’s current environmental disaster, between colonial accumulation by dispossession and the poverty and deprivation with which Bakhtiaris were, and are, struggling.
One of the few things of my father that remains with me is a letter he sent in late 1987, while I was crossing borders—one after another, illegally—trying to outrun the Iran-Iraq War. It is hardly a letter; more a brief warning. The last two sentences read:
Life, in general, is about defeat. Learn to face your defeats with an open face.
But how does one prepare for a defeat not yet arrived? For people like him—whose land, whose name, whose time have been taken—defeat is no stranger. It arrives like a season. It is expected. He, an Indigenous man, wanted to ready me, an undocumented migrant, for the rhythm of loss that returns, again and again, through generations. Another defeat is on its way. Learn to meet it with an open face.
In Black Skin, White Masks, Frantz Fanon describes the experience of watching films in which a Black character appears: “I cannot go to a film without seeing myself. I wait for me. In the interval, just before the film starts, I wait for me. The people in the theater are watching me, examining me, waiting for me.”1
The refrain “I wait for me”captures, with stark precision, the anticipation of defeat—the moment the Black body enters the frame and is, at that very instant, thingified by the viewers’ gaze. Throughout Fanon’s work, defeat in the visual field fashioned by the white gaze is ever present: a choreography of looking that reduces, freezes, and unmakes. Thingification is a form of unmaking. And the word defeat itself carries this history: it originates from the Old French defaire, meaning “to unmake,” to undo what has been done.
And yet, the history of the Black body, like the history of Indigenous and colonized peoples, is not only a history of being unmade. Unmaking is never the end of the story. The will to remake again is not born outside defeat but inside it. My father, a man shaped by the Zagros Mountains, had never read Fanon. Yet something bound them across distance and history: a knowledge of how to meet their defeats. With an open face. An open face is an openness to the world, and to all the risks the world contains. Openness is an act, a choice, an invitation to participate rather than retreat. It is the refusal to hide, to withdraw, to look away when disaster unfolds. An open face is the opposite of a closed one. To face one’s defeats with an open face is to live exposed, to accept vulnerability as a condition of being alive. It is to think dangerously, precisely because the enemy is dangerous. An open face is the willingness to look directly into the disaster approaching you—not with the illusion of victory, but with the will to survive. And survival requires knowledge. Those who endure defeat after defeat with an open face generate forms of knowing that emerge only from exposure, from vulnerability, from standing unshielded before the world.
The defeated of the world theorize what they endure. In truth, the only critical thinking possible today is thinking from the standpoint of the defeated. This standpoint is not one of passivity, nor of victimhood. On the contrary, it asks: How can one think from within brokenness, from within the ruins, and still produce meaning, and even possibility? What does it mean to transform defeat into a method?
The people of Iran carry a defeated revolution on their shoulders, a defeat that follows earlier ones: that of the Constitutional Revolution in 1911, and of the oil nationalization movement in 1953. It is a defeated revolution because Iranian society remains far from the promises proclaimed in its early days. Today, people confront a precarious social order marked by pervasive corruption, widening class inequality, family fragmentation, mass unemployment, social injustice, financial insecurity, and gender inequity.
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